"Glacial blocks of organ droning are melted by the fire of free jazz horn playing and the implacable motorik pulse of prime 70's Krautrock.....juicy, psychotropic workout....visceral, noisy, rigorous, immersive" - Pete Marsh, BBC

"Filtered organ coiled into looping metallic torsion forms the spine. It's thickened with feedback and rock churn to hypnotic effect. A drone-prog-jazz tour de force destined to be hailed as a classic." - WIRE

"Comment vont réagir les auditeurs ? Ceux qui connaissent cette scène underground verseront une larme de nostalgie tout en appréciant un travail remarquable, les nouveaux auditeurs commenceront peut être par rire, puis se rendront compte rapidement qu'une très large partie de la musique qu'ils écoutent en ce moment s'est largement inspirée des ancêtres de la marginalité, comme Masayo Asahara." - Philippe RENAUD, IMPROJAZZ

"This is a challenging and interesting release, one which people who thought they had every early krautrock album ever made may well like to add to their collection." - Mark Jenkins, AMPMUSIC

"If drones are what yank your chain then this is Drone Heaven, and some devotees of Riley will find refuge here too." - FREQ

"How this mad experimental psychedelic orgy managed to drift under the radar of collectors is beyond comprehension. the piece sucks the listener into its world and leaves little chance to get out. Highly recommended to fans of O70s experimental music." - Francois Couture, All-Music Guide

"Comes across with imposing vitality" - Artscene

"A very satisfying trip.....Martin Archer's fantasy has resulted in a quite fantastic musical reality" - Aquarius

"It freaked me completely out! Beautiful, heavy, endless torture" - Osaka Now!

"LaMonte Young or Terry Riley in an unholy collision with Faust and Magma? My God, you must submit to 60 minutes of hell composed by this mad woman! You must allow yourself to be drowned in these relentless waves of pure music violence!!" - Osaka Music Scene